Category Archives: concept
Back at the start of the year I wrote post that looked at the year ahead and set myself goals and measurable targets – something that is important if you want to keep yourself on track and keep the writing working for you. Having clear goals makes it easier to manage and achieve them, rather than having vague goals to “write a screenplay,” or “finish a novel,” which don’t really provide the focus you need to manage a long-term task, especially spread out over a year.
In relation to this planning I also talked about taking part in Gary Graham’s Writer Accountability (WRAC) initiative, whereby a group of writers have signed up to a series of self-set goals for the year ahead. Regular tweets/Facebook posts by co-host Michael Hennessy keep us all on our toes and ensure we regularly review those goals/milestones and keeping ourselves on track.
Well, that’s the theory. My main goals this year revolved around a novel I started writing in 2015 for NANoWriMo, with plans to have an outline and the first quarter written by now.
I did start. I do have the outline and I do have some written… just not as much as I was supposed to have. I do have what was written for NaNoWriMo, but I am reworking it as that effort was fairly meandering. It was a good way to get lots of words down on the page quickly, but I am not sure how good it was for me to keep focus/direction when writing.
The main problem is passion. I am passionate for the concept, but I am not sure I have really figured out the right direction for the novel and I am struggling to work up the enthusiasm to write it so, for now, it is probably time to call it a day.
It probably doesn’t help that I had some great feedback on a screenplay last year and am excited about getting back to that and, in fact, have started a page-1 re-write, giving serious thought the notes I received.
Or maybe it does help. Rather than continuing to flog a dead horse that my heart really isn’t in, it is obviously better to be working on a project I have more interest in. And in all honesty, if you are not enjoying a project, don’t keep at it – you will just ruin your enjoyment of the whole process. Stick the project in a drawer (it isn’t going anywhere) and you can always come back to it next week, next month, or even next year.
Taking a break isn’t the same as giving up. Never give up, just pick your fights.
I’ve lost my focus on one project, but that doesn’t mean I have lost direction, I just need to chose the right direction for me at this time.
Now I just need to beg forgiveness from Gary and Michael for failing my goals and see if I can update them for this year to focus more on my screenplay. Surely it’s not too late… 🙂
When do you decide it is time to move on?
Quickly cycling through Netflix the other day, looking for something to watch while ironing (I need something to distract me from the banal) I found The Purge: Anarchy. The kids were safely upstairs and out of the way, so I clicked play and switched the steam setting up to high!
I quite enjoyed the original The Purge (2013) and found it to be a decent, and tense horror/thriller. Definitely a “pop corn movie” but it was still a good way to escape for a couple of hours. The sequel does the same. Maybe not as effective as the first (in my opinion) as I guess the stakes are now well-known for Purge Night, but they both generate a significant amount of empathy for the characters (whether or not you sympathise with them) as it is easy to put yourself in their position, and ask yourself the question, “what would I do.”
And it manages this by having such a great concept.
Whether you like the films or not (they are a bit silly) they do have a great concept behind them. One that anyone can understand and immediately know what they are going to get.
WHAT IF, ONE NIGHT A YEAR, ALL CRIME, INCLUDING MURDER, WAS LEGAL FOR 12 HOURS?
Actually, I am sure you could boil the concept down to something even snappier than that, but it does give you the overview of the film in one sentence. It’s shorter than the logline even.
I’m not going to get into discussions about what is considered High-Concept or Low-Concept – that is probably for another post. However, it did make me think about the importance of concept and I think many successful writers will tell you that, “Concept is King.” If you can’t explain your concept, or are not even aware of it, you may well struggle to write your story. Actually, it doesn’t matter whether we are talking High or Low Concept, being able to articulate your concept is an important skill in writing.
WHAT IF A GREAT WHITE SHARK TERRORISED A PEACEFUL ISLAND COMMUNITY
That pretty much sums things up.
A YOUNG WOMAN MUST PREVENT A BOMB EXPLODING ON A BUSY CITY BUS BY KEEPING IT ABOVE 50mph
To be honest, these are probably all examples of High-Concept films, which may well be easier to articulate but, again, that is probably another post.
Regardless, it is obvious that a clear concept will make your story more impactful and saleable, instantly telling everyone what it is about and drawing them in. If it takes you 10 minutes to explain your concept, or you can’t quite pin it down, then you may struggle to get anyone interested in your next great script.
So when planning you next script, think about your concept and, perhaps, test it friends and family to see what their reaction is.
What importance do you place on your concept?
How do you test your concept?